Normally whenever I review anything associated with Michael Page I tend to go into hyper drive and spout off like a loose cannon about his main Sky Burial is a Michael Page side project, along with Irukandji, where he explores a more diverse musical aspect separate from the one we don’t need to talk about anymore. “IV: Of Dharma and Drowning” is, naturally, Sky Burials 4th release. Following on from “Of The First Light”, “Spectrehorse” and the self titled debut, it carries on the tradition of all Sky Burial recordings to date by being more, for want of a better word, accessible compared to you know who. This isn’t to say that “IV: Of Dharma and Drowning” is a walk in the park on a hot summers day surrounded by half naked women. Michael might not bludgeon the listener with a meat cleaver like he does so regularly with */*/*/* but the cold dark atmospherics of this one track 18 minute + piece are not for the faint of heart. Combining a differing array of source material, and coupling them to some heady electronics, the resulting sounds are processed and manipulated to produce this nightmare journey in sound. The piece starts off very slowly, a elegantly long drawn out note, before gradually building up in force, sometimes receding slightly, with the introduction of ever increasing weird diverse sounds. The lustrous sharpness of metal Don’t be fooled in anyway by the length of this 3 inch CDR release. Michael has crammed enough innovative moments onto it that to have made it Two last personal thoughts worth adding: 1. The first edition of this release is limited to just 100 copies. Normally I would berate any label for such foolhardiness but I’ll make an exception here for Silken Tofu. Why I don’t know. Must be the effect of the music on this release that has turned me into a nice guy for once. 2. I’m going to have to interview Michael Page one day. Anyone who combines the talents of a musical maestro, painter and author so successfully deserves one. If I ever get round to it, and he agrees to be interviewed by an idiot, you’ll see it here first. |